Jesse Alexander Eugenio Castellotti Ferrari-Lancia D50 Photography Print

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MerchFuse Print PassportFormat, provenance and display guidance

Curator note

For Jesse Alexander Eugenio Castellotti Ferrari-Lancia D50 Photography Print, the landscape mid-century photography print and black and white, gold palette create a clear focal point for office displays. Pair it with photographs that share a subject, era, or tonal range for a consistent gallery arrangement.

Palette: Black and White, Gold
Best placed: Office
Orientation: Landscape
Formats: Printed Poster / Digital Download
Physical sizes: 8×10″, 11×14″, 12×18″, 16×20″, 18×24″, 20×30″, 24×36″
Printed price from: $14.98
Digital price from: $7.99

How MerchFuse presents product information →Preview in Wall Studio →

Jesse Alexander captures Eugenio Castellotti in a Ferrari-Lancia D50 at the 1955 Belgian Grand Prix, featuring high-speed motion blur in black and white.

Ideal for: the wall above a sofa, sideboard or bed. Unframed 200 GSM matte print (8×10″–24×36″) or high-resolution digital download.

SKU MF-8EMD7A0AW4

Tags black and white, gold, mid-century, painting, photography

Brand: MerchFuse

A low-frequency rumble vibrates through the damp Belgian air as a machine pushes the limits of mid-century engineering. This print captures the raw intensity of Eugenio Castellotti behind the wheel of the Ferrari-Lancia D50 during the 1955 Grand Prix at Spa-Francorchamps.

About fine art photography

Fine art photography values the photographer’s vision as much as the subject in front of the lens. A single well-chosen photograph can set the mood of an entire room. Fine art photography is made to be displayed and contemplated, like a painting.

Styling this fine art photograph

Its black-and-white palette makes this fine art photograph easy to build a room around. Hang “Jesse Alexander Eugenio Castellotti Ferrari-Lancia D50” above a sofa, sideboard or bed: 20×30″ or 24×36″ for impact, 12×18″ for a smaller wall. In black and white, “Jesse Alexander Eugenio Castellotti Ferrari-Lancia D50” works with any colour scheme; a slim black frame with a wide white mat gives it a gallery finish. “Jesse Alexander Eugenio Castellotti Ferrari-Lancia D50” also anchors a gallery wall well; surround it with smaller black-and-white pieces at even 2–3 inch gaps.